I'm Me. You're You. We Are People.

artblog-with-lots-of-booty:

Ryan Woodward Sketches Part 1

(via msaether)

thewintersoldiersbutt:

Happy 75th Anniversary to The Wizard of Oz! To celebrate, I present to you;

Movies in a Nutshell: The Wizard of Oz

(via elphababess)

queerboiswag:

cakeandrevolution:

I want to see a reality tv show where straight dudes have to read the shitty messages they send to women to their mothers.

i would die laughing

(via live-long-and-suckit)

laylainalaska:

fuckyeahsources:

Nope. But the real story is better. Bolding mine:

The late Ruth Thompson, a cell painter on “Snow White” who later became a multiplane scene planner, recalled: “We tried everything - airbrush, drybrush, even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But nothing worked.

The airbrush was difficult to control on such a small area; drybrush was too harsh; lipstick and rouge unwieldy and messy. Everything proved to be impractical and all hope seemed lost to give Snow White her little bit of color when the idea of using a dye was proposed.

Again Ms. Thompson: “Someone suggested a red dye because the blue day we added to give Donald Duck his distinctive sailor-blue never really could be washed off the cell without leaving a bluish stain where the paint had been applied.”

Ever since the mid 30’s when color became the norm for all the cartoons, not just the “Silly Symphonies,” all paints and inks were made at the studio. During this period as well cells were routinely reused for economic reasons, thus the need to wash them off. Apparently Donald’s special blue color was made with a dye added to the usual powdered pigments. “So we tried that.” As the women gathered around in what must have seemed just another dead-end effort, all eyes became fixed on the red dot which soon became a small glow with no perceptible edge. The hushed silence soon gave way to sighs of relief. The method had finally been found. Now the application.

Among the studio’s many inkers (an extremely demanding profession), was one young lady whose training and skill was unique: Helen Ogger. Just being an inker placed one within the elite confines of this most “holy of holies” area of the Nunnery, as the Ink and Paint Department was so called (Walt had strict and quite Victorian views that the sexes not mingle at the workplace, allowing no male personnel save the “gofer” boy and the paymaster “Mr.” Keener to enter this domain of mostly unmarried women ). But Helen was in addition a very fine cartoonist and one of the few women at Disney’s or anywhere else, who could animate.

Such a seemingly insignificant detail (as the cheek colors) might be thought not worthy of special mention (she, as well as the other inkers and painters, was given no screen credit). But when one adds up the number of footage required to be tinted freehand on each individual cell, the hours suddenly turn into weeks and months. In fact, such a treatment was never attempted again on such a scale and even today, the publicity stills from “Snow White,” most of which do not have the added blush, bear witness to how that little touch of extra care adds to the vitality we see on the screen.

The work was done on all close-ups, most medium shots, and even on some long shots. The Queen was also similarly tinted. Hundreds of hours were needed to complete this task, arduous, repetitive and, of course, hard on the eyes. Ultimately a handful of other girls were needed to assist Helen as the clocked ticked toward the deadline.

Helen had to place several cells together on an animation board, one atop the other, just like in the process of animation, in order to get the ‘registration’ right (the spot of red just right in relation to the preceding and following ones) - all of this without any guide. She would work out her own extremes and then ‘animate’ the blush in inbetweens. Her work deserves admiration and gratitude and it is unfortunate that her contribution has remained unknown and her anonymity unaltered during her lifetime. She was paid, as were the rest of the Inkers, $18 a week, which included a half-day on Saturday and the many, many hours of unpaid overtime “Snow White” would require - all given unstintingly, (by everyone involved, it should be added), to a project whose joy in participating was its own reward.

She eventually became head of Inking and Special Effects and even taught classes in animation at the studio. She left in 1941 (apparently part of the terrible strike that would leave the Disney Studio changed forever), taking her skills with her. She died in Glendale in February of 1980. Perhaps it is safe to say that her departure was critical to the abrupt demise of this now unique effect (it was also used, though on a much smaller scale in both “Pinocchio” and “Fantasia”). None of the other inkers or painters were animators and it is this fact, not just the factor of economy nor the changing tastes, which surely must be considered a reason why such details were never attempted again. The golden age was over.

Also, here’s an interesting article about female cel painters at Disney. I am now fascinated by the idea of writing something with a Depression-era cel painter as a protagonist.

(Source: timblanks, via msaether)

loutheloup:

If you don’t think steve’s first kiss since 1945 was peggy dragging him down by the collar and planting one on him the first time he came to visit her during a lucid spell, i really just dont know what to say to you. 

(via msaether)

miljathefailcat:

"Luckily I have an ace up my sleeve!" I smirk and roll my sleeve up. A confused asexual rolls out, blinking in the sudden light.

(via msaether)

so-treu:

LIKE SHE’S NOT EVEN BEING SUBTLE ABOUT THE SHIT

(Source: karin-420, via msaether)

unleashthedragonfleet:

image

Don’t be upsetti, have some spaghetti

(via stormafter)

avatarsarny:

i-am-sher-221b-locked-in-berk:

and i was like “gurrl, that fur with those boots?”

Is he criticizing Astrid’s fashion sense

avatarsarny:

i-am-sher-221b-locked-in-berk:

and i was like “gurrl, that fur with those boots?”

Is he criticizing Astrid’s fashion sense

(Source: wehaveourdragons, via thehttydblog)

pixalry:

Captain America: The Winter Soldier - Created by Eric Veiga

pixalry:

Captain America: The Winter Soldier - Created by Eric Veiga

(via msaether)

mrv3000:

ophelia-tagloff:

kestrel337:

Just imagine the Avengers going to Ikea, and Thor is the only one who can pronounce the name of anything. 

This is disproportionately hilarious to me.

#COME LET US ASSEMBLE THE LÖVBACKEN

(via msaether)

branwyn-says:

teland:

badgirlswearchanel:

i don’t know about you, but i grew up seeing mostly white dolls that looked nothing like me. in fact, even the few black dolls i saw looked nothing like me. they had super straight hair, and sometimes blue or green eyes. where was the barbie doll with brown eyes and beautiful curly, kinky hair?
well now, i found a DIY tutorial that allows you to make even the doll with the finest hair, look a little more like you.
WHAT YOU’LL NEED:
A doll
End papers (sold at beauty supply shops)
Pipe cleaners
Scissors
Boiling water
Note about end papers: If you start with a doll that has long hair and you plan to make a style similar to the style shown in my picture, you won’t need end papers, they’re optional. But if you start with a doll that has shorter hair and don’t plan to cut it any further, end papers will be essential.
1. Cut pipe cleaners into two-inch pieces and bend each one in half. They will look like little “V” shapes.
2. Section off a piece of hair and twist it into a tight spiral. The smaller the sections, the tighter the curls will be.
3. Wrap the spiral in an end paper (optional)

4. Place a pipe cleaner onto the scalp and pull the twisted section into the crook of the pipe cleaner. Be sure to keep the hair spiraled tightly as you zig-zag it.

 

5. When you finish zig-zagging each section, twist the pipe cleaner ends around each other to lock everything into place.


fully wrapped head

6. Once you have all the sections in pipe cleaners, dip the head in boiling water for the count of ten.7. Wait for the head to cool – usually a few hours, but overnight is best. Rinse in cold water and place doll in freezer if you want to speed things up.8. Take the pipe cleaners out.9. If you have length to spare, trim each section to get rid of straight ends or strays.






feel free to leave it like this, or pick it out and make your doll’s fro as big as you desire. i don’t know about you, but i’m definitely going to be doing a few of these for my little cousin, who is currently very insecure about her own beautiful curly hair.

YOU ARE A HERO! Oh, God, I’m crying a little now. I needed this so BADLY when I was a little girl! *reblogs like a reblogging thing*

OH MY GOD

branwyn-says:

teland:

badgirlswearchanel:

i don’t know about you, but i grew up seeing mostly white dolls that looked nothing like me. in fact, even the few black dolls i saw looked nothing like me. they had super straight hair, and sometimes blue or green eyes. where was the barbie doll with brown eyes and beautiful curly, kinky hair?

well now, i found a DIY tutorial that allows you to make even the doll with the finest hair, look a little more like you.

WHAT YOU’LL NEED:

  • A doll
  • End papers (sold at beauty supply shops)
  • Pipe cleaners
  • Scissors
  • Boiling water


Note about end papers: If you start with a doll that has long hair and you plan to make a style similar to the style shown in my picture, you won’t need end papers, they’re optional. But if you start with a doll that has shorter hair and don’t plan to cut it any further, end papers will be essential.

1. Cut pipe cleaners into two-inch pieces and bend each one in half. They will look like little “V” shapes.

2. Section off a piece of hair and twist it into a tight spiral. The smaller the sections, the tighter the curls will be.

3. Wrap the spiral in an end paper (optional)

image

4. Place a pipe cleaner onto the scalp and pull the twisted section into the crook of the pipe cleaner. Be sure to keep the hair spiraled tightly as you zig-zag it.

 

image

5. When you finish zig-zagging each section, twist the pipe cleaner ends around each other to lock everything into place.

image

fully wrapped head

6. Once you have all the sections in pipe cleaners, dip the head in boiling water for the count of ten.
7. Wait for the head to cool – usually a few hours, but overnight is best. Rinse in cold water and place doll in freezer if you want to speed things up.
8. Take the pipe cleaners out.
9. If you have length to spare, trim each section to get rid of straight ends or strays.

image

image

feel free to leave it like this, or pick it out and make your doll’s fro as big as you desire. i don’t know about you, but i’m definitely going to be doing a few of these for my little cousin, who is currently very insecure about her own beautiful curly hair.

YOU ARE A HERO! Oh, God, I’m crying a little now. I needed this so BADLY when I was a little girl! *reblogs like a reblogging thing*

OH MY GOD

(via msaether)

kevinwada:

Sleep Hollow #1 BOOM! Exclusive Cover

kevinwada:

Sleep Hollow #1 BOOM! Exclusive Cover

(via msaether)